Dulce et Decorum est Essay - 1140 Words

Dulce et Decorum est The poet reacts to the war by turning normal poetic language in to something that appears normal on the surface but in reality is tainted. The poet also breaks from normal poetry to show society the normal images of war. The ability to move the reader makes the poem work which aids the reader in to understanding the false propaganda. The poem is about soldiers in trench warfare and is a great example of writing graphically to show the horrific side of war yet being completely truthful. The poet does not withhold any information from the reader and conveys what it was like to fight in the War. The poet shows the pain in the poem. His tone, depression, lack of hope reveals his message. He uses long†¦show more content†¦This is the main part of the poem about is the most described. The stanza starts with the outburst: ‘Gas! Gas! Quick boys?’ The mono-syllables emphasised the urgency of the situation. A gas attack is a very dangerous situation. The author uses the words ‘boys’ which reminds us of their youth, but having already been described as aged and tired we realise that their youth was stolen and are then also confronted with the concept that they are innocent victims of war. ‘Ecstasy of Fumbling’ Seems at first odd, but then a perfect way to describe the controlled panic instantly awakened with the gas bomb. Here the men only have seconds to find a gas mask. The word but tell us something has gone wrong and gives us a sense of foreboding knowing something bad has happened. The next line ‘and floundering like a man in fire of lime’ describes the helplessness of the soldier. This also shows life is left to chance. The innocent soldier is floundering and has no control over what is happening to him. The word ‘dim’ on the next line not only sets up scene, giving it a gloomier and a eerie and also describes the chances of the boy to survive. The next line ‘as under a green sea, I saw him drowning’ moving on to the next stanza ‘In all my dreams, before my helpless sight, He plunges at me, guttering, choking, drowning.’ This helps the reader understand the feeling of being trapped by poisonous gas. The soldier in the poemShow MoreRelated Dulce et Decorum Est Essay1618 Words   |  7 PagesDulce et Decorum Est In Wilfred Owen’s poem â€Å"Dulce et Decorum Est† the speaker’s argument against whether there is true honor in dieing for ones country in World War I contradicts the old Latin saying, Dulce et Decorum Est, which translated means, â€Å"it is sweet and honorable to die for the fatherland†; which is exemplified through Owen’s use of title, diction, metaphor and simile, imagery, and structure throughout the entirety of the poem. The first device used by Owen in the poem is withoutRead MoreDulce Et Decorum Est2255 Words   |  10 Pages «Dulce et decorum est », Wilfred Owen (1917, 1920)  «Dulce et decorum est » is a poem written by British poet Wilfred Owen, during World War one, in 1917. The translation of the Latin title is:  «It is sweet and proper ». The completed sentence is as follows:  «It is sweet and proper to die for ones country ». This forms, what the writer refers to as,  «The old Lie ». The poem holds a strong criticism towards the conventional view of war at that written time. I shall now comment briefly on that timesRead MoreDulce Et Decorum Est by Wilfred Owen774 Words   |  3 PagesThe poem â€Å"Dulce Et Decorum Est† certainly describes a memorable and thought-provoking scene of World War I. The title of the poem translates to â€Å"It is sweet and meet to die for one’s country.† Throughout the rest of the work, Wilfred Owen indirectly addresses the claim made in the title. He accomplishes this by utilizing the power of the pen to produce startling imagery of the war time and experiences that may actually be personal for him. However, in the last few lines, he makes a more direct statementRead More Dulce et Decorum Est Essay1748 Words   |  7 PagesWilfred Owen’s â€Å"Dulce et Decorum Est† and E. E Cummings’, â€Å"next to of course god america i† are poems that critique patriotic propaganda. Both poems use words and images to effectively depict the influence that patriotic propaganda has on war. â€Å"Dulce et Decorum Est† uses descriptive words to create realistic images of the horrors soldiers are faced with during combat, whereas â€Å"next to of course god america i† uses sarcasm to inform readers that the abuse of propaganda can be used to manipulate othersRead More Dulce et decorum est Essay703 Words   |  3 PagesDulce et decorum est is a well known battlefield poem written by Wilfred Owen. Critical Analysis Dulce et decorum est is a well known battlefield poem written by Wilfred Owen. It has been written in the first person and the present tense to make the reader feel as if they are actually there. It is in three clear sections, which are eight-line stanzas, rhyming ABABCDCD. It has an extra four lines in the last stanza to incorporate the main message of the poem. It uses many similes andRead MoreDulce Et Decorum Est Analysis Essays1122 Words   |  5 Pages‘Dulce Et Decorum Est’ Essay For years, war and the honour of war has been built up and glorified unfairly by the media in cartoons, movies, games, news and even songs as well as warmongers trying to cash in on unsuspecting and gullible young men who want to be recognized as heroes. Wilfred Owen, who had served in World War 1 and died while defending his country age 25, wrote the poem ‘Dulce Et Decorum Est’ as an attempt to dismantle the unrealistic expectations about war that boys who are ‘ardentRead MoreDulce Et Decorum Est by Wilfred Owen Essays1369 Words   |  6 PagesDulce Et Decorum Est by Wilfred Owen In the poem, Dulce Et Decorum Est by Wilfred Owen, the social climate of the World War I era is reflected through the poets use of vivid imagery and poetic techniques. The poem itself presents an a blunt impression of the world through its linking of ideas and language in its text. The poem addresses the falsehood that war is glorious, that it is noble, it describes the true horror and waste that is war, with the aim of changingRead MoreWilfred Owen s Dulce Et Decorum Est1880 Words   |  8 PagesThroughout the ages, poetry has played--and continues to play--a significant part in the shaping of a generation. It ranges from passionate sonnets of love to the gruesome realities of life. One such example of harsh realism is Wilfred Owen s Dulce et Decorum Est. Owen s piece breaks the conventions of early 20th Century modernism and idealistic war poetry, vividly depicts the traumatizing experiences of World War I, and employs various poetic devices to further his haunted tone and overall messageRead MoreDulce Et Decorum Est And The Charge Of The Light Brigade740 Words   |  3 PagesExperience of Battle In this essay, I will be analyzing the two different poems â€Å"Dulce Et Decorum Est† and â€Å"The charge of the Light Brigade†. While reading and analyzing these poems I will be comparing and contrasting the difference between the two poems and also determining the poet’s literary devices to make the point of both authors. War is a sorted out exertion by a legislature or other vast association to stop or annihilation something that is seen as perilous or awful. It is for the mostRead MoreIs Vitai Lampada Similar to Dulce Et Decorum Est1634 Words   |  7 PagesI am going to compare and contrast the way in which different attitudes to war are presented in the poems ‘Dulce et Decorum est’. And ‘Vitai Lampada’. Both poem are a bout war but they are wrote in completely different ways. Firstly, Wilfred Owen wrote a poem named Dulce et Decorum. Wilfred Owen was born in 1893 in Owestry, Shropshire and he died in 1918. Dulce et Decorum was written in 1917. Wilfred Owen enlisted for the war in 1915 and trained in England until the end of 1916

War I And World War II - 2291 Words

Throughout the history of the United States, the American government has employed many propaganda techniques, usually during times of war and hardships, to evoke an intended reaction from Americans. Propaganda is the deliberate, systematic attempt to shape perceptions, manipulate cognitions, and direct behavior to achieve a response that furthers the desired intent of the propagandist.† To control the public during difficult times, the government heavily utilized propaganda. The wars that propaganda was most prominently employed in were World War I and World War II. Propaganda, specifically in World War I and World War II, has had far more negative effects on American society than positive effects. At the beginning of World War I,†¦show more content†¦Propaganda was even distributed to other countries and nations as a way for the government to show enemy countries that Americans were unified, and strongly supported the war efforts. The government created special divisions that would be in charge of the creation and distribution of propaganda. The first of such special divisions was the Committee on Public Information, which was instituted by President Wilson towards the very beginning of World War I, and headed by Wilson’s friend George Creel, who was known for being a scandal-seeking journalist. The Committee on Public Information sent pro-war messages to almost every media source in existence. It even enlisted the help of 75,000 volunteers known as the â€Å"Four-Minute Men.† These men spoke about a wide range of topics. They lectured, and encouraged other organizations, such as Red Cross and the Boy Scouts of America, to help spread the word and raise more money for the war. One example of a Red Cross campaign poster slogan is â€Å"Help Them to Carry Their Cross: Join Now American Red Cross.† The poster depicts Jesus on a red cross, an army nurse, and a soldier preparing to go into batt le. It is encouraging people to join by making them feel like helping the soldiers who are fighting for America is similar to helping Jesus when he was suffering on the cross to save and protect all people. The Boy Scouts of America helped raise money by selling stamps. The slogan of

Illustration Free Essays

The 29th Annual French Quarter Festival of New Orleans New Orleans is a city where festivals are a way of life. There are festivals showcasing almost every cultural aspect of the city. However, The French Quarter Festival stands out as the largest free local music festival in the state of Louisiana. We will write a custom essay sample on Illustration or any similar topic only for you Order Now The 29th annual French Quarter Festival showcased a wide variety music, food, and special events that provided insight to what makes New Orleans so unique and full of life compared to other to cities in the county. The biggest aspect of the French Quarter Festival was the music that was showcased, the most prominent genres being Jazz, Cajun-Zydeco, and Blues. A variety of Jazz music was heard during the festival. Traditional Jazz sounds from bands such as the New Orleans Cottonmouth Kings and the Smoking Jazz Club could be heard on Friday. Saturday included a modern Jazz style with acts such as Big Daddy ‘O’ and Kermit Ruffins. The brass sounds of Jazz, such as the Treme Brass Band and the Stooges Brass Band were heard on the last day of the festival. There were also several Blues music acts present. The first day brought performers such as ‘Wolfman’ Washington and ‘Big Al’ Carson. The next day, Eharmonic Souls and John Lisi and the Delta Funk were among the artists. The Blues music that closed out the festival was from acts such as Vagabond Swing and Amanda Wallace. Lastly, Cajun-Zydeco music could also be heard at the festival. Some of the Cajun-Zydeco bands that opened for the festival were Dikki Du and the Zydeco Krewe and also Brandon Moreau and Cajungrass. The following day, Tank and the Zydeco Codebreakers and the Lost Bayou Ramblers were among the acts. Also, The Big Easy Playboys and Sunpie and the Louisiana Sunspots were among the Cajun-Zydeco acts on the final day of the festival. The traditional, modern, and brass Jazz musicians listed were just a few of the acts, but they provide examples of the talent at the 29th Annual French Quarter Festival. The French Quarter Festival had local vendors featuring the cuisines of the French Quarter, some of which were Cajun, Creole, and Po’boys. Cajun food was a cuisine that was prominent at the festival. Crawfish was a popular ingredient that was featured in several Cajun dishes at the festival such as in Crawfish Etouffee or Crawfish Cakes. Andouille sausage, found in gumbo and jambalaya was another aspect of the festival cuisine. Alligator, as kebabs or sausages, was also among the many Cajun dishes. Creole food also had a presence in the festival’s cuisine. Rice dishes, such as Dirty Rice and also Red Beans and Rice, were among the Creole cuisine featured at the festival. There were also many Creole seafood dishes, such as Shrimp Jambalaya and Grits or Shrimp Remolaude available. Creole desserts such as King Cake or beignets were also among the dishes offered at the festival. Additionally, several varieties of Po’boy were staples of the cuisine at the festival. Seafood Po’boys, such as the Shrimp Caminada Po’boy and the BBQ Oyster Po’boy, were among the Po’boys offered. Also available were Creole style Po’boys, such as the Cochon de lait Po’boy or Creole Hot Sausage Po’boy. Finally, Po’boys such as the Alligator Sausage Po’boy or the Blackened Catfish Po’boy were some Cajun- style Po’boys at the festival. Whether you were looking for Cajun, Creole, or Po’boys, the 29th Annual French Quarter Festival had the dishes discussed above along with many more available to choose from. Finally, the French Quarter Festival also held events such as educational lectures, kids events, and dance lessons. The French Quarter Festival strived to educate people on the impact that the local musical community provides. Super Sousaphone was a lecture by local sousaphone virtuoso Matt Perrine about the impact his career in many influential New Orleans bands created. Another lecture was Groove Interrupted, which focused on behind-the-scenes makings of the modern-day Jazz album. Funkify Your Life discussed The Meters, a New Orleans funk band, impact on New Orleans music. There were also several children’s events at the festival. The Kid’s Music Stage introduced children to festival’s musical genres in a child-friendly way. The Satchmo collage project was another event where children decorated pieces of a collage of Louis Armstrong. Children were also able to create Victorian-style jewelry at the many crafts station at the festival. Also, several dance lessons were offered at the festival. NOLA Zydeco group hosted a class that taught the traditional Zydeco moves. BrassXcise, with Dancing Man 504, taught dance and exercise moves that are used in Second-Line parades. Also, the NOLA Jitterbugs taught traditional jazz dances such as the Jitterbug and the Charleston. The lectures, children’s events and dance classes at the French Quarter Festival helped to add the educational and cultural aspect of the festival. The 29th annual French Quarter Festival provides a special aspect to festivals of New Orleans. It sought to showcase strictly the local aspects of the culture of New Orleans. Also unlike other festivals, it was also made free to the public. Those aspects and also the music, food, and events of the festival combined to create an experience unlike other festivals in New Orleans, one that is focused on the people of the city rather than just the city itself. How to cite Illustration, Papers

Cognitive Factors Can Influence Pain - MyAssignmenthelp.com

Question: Discuss how cognitive factors can influence pain perception by citing relevant empirical evidence? Answer: Introduction The essay discusses the approach of cognitive factors in influencing the perception of pain. Painisacompoundbiopsychosocialphenomenonthatbeginsby the communication of various neuroanatomic and neurochemical systems with numerouscognitiveandaffective activities. There is big inter-individual as well as intra-individual variances in pain perception varying on the basis of circumstance and implication of the pain.Different pathways and theregionsofbrain involved are also examined to understand the process and make associations with the correlated activities.The essay reviews various studies on differentaspectsofthe pain perception through cognitive factors. Further analysis is done to evaluate the discussion. The somatic, cognitive,emotionalandbehavioural effects on pain perception are discussed briefly to draw a comparison. The essay is concluded with the summary of the discussion and limitations of the researches in this field. LectureReview A study was conducted to study the cerebral signature for pain perception and its modulation. The study was done to understand the process of pain at both cellular and system levels. The study discussed thatbrainstem descending modulatory complex with its pro- and antinociceptivemechanisms has a vital role to play in allowing the extent of nociceptive transmission and in turn managing that the subsequent pain experienced is suitable for the specificcondition of the individual. The study suggested that the factors affecting pain perception are centrally mediated and striking a balance between peripheral andcentral effects and establishing which are due to pathological or cognitive influences will assist in treatment therapies. The literature went on to describe the pain matrix which basically has lateral (sensory-distinguishing) and medial (affective-cognitive-calculative) structural elements. Various cognitive factors like attention, context, and mood are reviewed separately and have been proven to affect the pain perception. the extent of the pain stimulus to which it is defined as emotional and consequently yields an emotional state is based on the actions performed in various areas like amygdala, insular, ventral striatum, ACC, and hippocampus, as well as the PFC.But the role of the influence of emotional and cognitive influences such as anxiety, or depression on pain perception in the descending pain modulatory system is yet to be determined.The study has limitations as Understanding the role of complex behavioural influences and cognition in pain perception in animals is difficult to evaluate due to the shortage of sophisticated behaviouralprototypesand dependency on inception or retracting measures. (Mantyh Patrick, 2007) A study was done to assess the cognitive and emotional regulation of pain and its interference in chronic pain. The study discussedthe mechanisms involved in the variation of pain bycognitive and psychological elements. The study also indicated the recent evidence that reveal that persistent pain can precede to structural and physiological modifications in the mechanism concerned with the psychological alteration of pain perception, causing not only pain but also in changed cognition(Peters, 2015). Different effects of attention and emotion on pain experience and the stimulation of relevant cortical regions on pain stimulusproposes that differentiate altering systems may be responsible for theattentional and emotional influences on pain perception.Projections from the midbrain PAG to brainstem nuclei,involving the rostroventral medulla and the locus coeruleus, to the dorsal horn of the spinal cord are the usually reviewed pain modulatory mechanisms. Thesemechanismscontainendogenous o pioids, noradrenaline and serotonin, and perform inhibition as well as excitation actions on spinal cord afferent projection neurons(Voisin, 2005). The question arises that when cognitivefactors can initiate modulatory pathway in brain areas and result in structuraldeviationsdue to chronic pain, then can psychological treatment therapies reverse changes of the brain linkedwith chronic pain.The regions of brain that are involved in the descending modulatory system are not only responsiblefor pain but also for cognitive and emotionalperformance of the individual(Pessoa, 2008). Thus, the development of cognitive insufficiencies as well as anxiety disorders and depression in patients of long-term chronic pain can be explained by the fact that workingof areas of the brainoccupiedin both painregulation and cognitive working is similar.However, the sequentialconnectionbetween pain, cognitive insufficiencies, GAD and depression ishardtoascertain.(Bushnell Low, 2015) Another study discussed the psychobiological intervention of nociception and pain. This study suggested inferences for clinical practice for individuals dealing with chronic pain, and offered sound justification for evaluating and treating pain from a biopsychosocial view point. A part from the somatosensory components of pain perception, cognitive and emotional factors are implied when pain is defined. Pain perception comprises of various psychological processes, involving attention positioning to the pain stimulus, cognitive review of the implication of the stimulus, and the resultant emotional, psychophysiological, and behavioural response, which then follows a feedback mechanism to affect pain perception. One of the practices that comprise pain perception isin which individual subjectively assess the purpose of sensory stimulusradiating from the body to regulate the magnitude to which they indicate the existence of a real or possible damage. The intrinsicinconsistencyof cognitiveevaluation of pain may resultfrom the neurobiologicaldetachmentbetween the sensory andemotionalattributes of the pain perception. Intensitymodulation of pain occurs due tomodified initiation of somatosensory cortex, while unpleasantness modulation of pain occurs due to modified initiation of the anterior cingulate cortex.Thus, in spite of a constant intensity stimulus,a sensory signalactivated from the neck muscles might besensed as warmth, or perceivedas asevere distress. When pain perception is distinguishes asmanageable, the intensity of pain is reduced without any action from individuals side to regulate the pain. The region of brain responsible for determining the extent to which pain is perceived as manageable is ventrolateral prefrontal cortex. Also, itsactivation is negatively associated with subjective pain intensity (Garland, 2013). Discussion Pain is a cognizant occurrence, an understanding of the nociceptive input affected by memories, behavioural, pathological, inherited, and cognitive factors. The resulting pain is not always linearly linked to the nociceptive input. Pain is an unpleasant, sensory and subjective experience accompanied by definite or potential tissue injury. Cognitive and emotional effects comprise of a complicated emotional experience that depends on every individual(Fosam, 2016). The antagonistic character of pain produces a strong psychological reaction that feeds back to alter pain perception. Pain often occurs due to emotions of anger, grief, and worrybased on the how the pain is cognitively evaluated. One of the coping mechanisms of pain is distraction. It is found that the perception of pain can be weakened if the subject does cognitive tasks or distracted (Seminowicz Mikulis, 2004).It is also confirmed by a study that even while perceiving mild to moderate pain, cognition-basedactions areslightly affected, and individuals asked to finish an activity, will be able to do so in spite of the pain (Davis Seminowicz, 2007). The initiation and operational link between the downward pain control systems involves the dorsolateral prefrontal cortex, the rostral anterior cingulate cortex, and periaqueductal gray. This link is directly related to pain relief, decreasesinitiation of other pain-related areas of the brain, and is believed to also affect the cognitive influences such as distraction, all of which participate in pain relief(Eippert, 2009) The efficiency of pain treatment is also determined by the emotional state of the subject.A negative psychological state and reduced anticipation of treatment success can multiply the intensity of the pain perception, and diminish the analgesic effect of an opioid analgesic. On the contrary, a positive psychological state and anoptimistic anticipation of treatment success can decrease pain and augment clinical effect of the analgesic.The potential clinical effects of the cognitive factors on pain perception can be utilised to voluntarily influence and usedas part of a pain treatment therapy to attainessential and utmost pain relief is still a question. Conclusion Pain perception is a highly subjective phenomenon involving different brain regions and various processes. Pain relief through distraction, educational mediation and vocal manipulation suggests the strong influence of cognition on pain perception and offers a perspective to understand the methods of placebo analgesia.This field demands more research to gain a better understanding of theinfluence of cognitive factors on pain perception.Thekind of the stimulus and the factors that can stop the cognitive pain modulation are also uncertain. The cognitive factors and the process of perception that gives materialise to the experience of pain are also not very well understood. Further study is also required to direct the creation of a rational model that integrates cognitive and neuroimaging evidence, so that all traits of cognitive modulation, including its activation, execution, and regulation can be addressed. Bibliography Bushnell, C., Low, M. ?. (2015, June 14). Cognitive and emotional control of pain and its disruption in chronic pain. Nat Rev Neurosci, 14(7), 502-511. Davis, Seminowicz. (2007). nteractions of pain intensity and cognitive load: the brain stays on task. Cereb Cortex, 17(6), 1412-1422. Eippert, F. B. (2009). Direct evidence for spinal cord involvement in placebo analgesia. Science, 326(5951), 404. Fosam, H. (2016, November 8). The Influence of Cognitive Processes on Pain Perception. Retrieved December 5, 2017, from Clinical Pain Advisor: https://www.clinicalpainadvisor.com/chronic-pain/deconstructing-the-sensation-of-pain/article/573823/ Garland, E. L. (2013, September 1). Pain Processing in the Human Nervous System: A Selective Review of Nociceptive and Biobehavioral Pathways. Prim Care, 39(3), 561-571. Mantyh, W., Patrick, I. T. (2007, August 2). The Cerebral Signature for Pain Perception and Its Modulation. Neuron, 55(3), 377-391. Pessoa, L. (2008). On the relationship between emotion and cognition. Nature Rev Neurosci, 148-158. Peters, M. L. (2015). Emotional and Cognitive Influences on Pain Experience. Mod Trends Pharmacopsychiatry, 138-152. Seminowicz, Mikulis, D. a. (2004). Cognitive modulation of pain-related brain responses depends on behavioral strategy. Pain, 112(1-2), 48-58. Voisin, G. C. (2005). Nociceptive stimulation activates locus coeruleus neurones projecting to the somatosensory thalamus in the rat. The Journal of Physiology, 566(3), 929937